American author (1929- )
Predictions are uttered by prophets (free of charge); by clairvoyants (who usually charge a fee, and are therefore more honored in their day than prophets); and by futurologists (salaried). Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Revolution is our obligation: our hope of evolution.
URSULA K. LE GUIN
The Dispossessed
It's the self that suffers, and there's a place where the self--ceases. I don't know how to say it. But I believe that the reality--the truth that I recognize in suffering as I don't in comfort and happiness--that the reality of pain is not pain. If you can get through it. If you can endure it all the way.
URSULA K. LE GUIN
The Dispossessed
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. or wonder who, after all, you are.
URSULA K. LE GUIN
The Farthest Shore
Nothing succeeds like success.
URSULA K. LE GUIN
The Left Hand of Darkness
Fire and fear, good servants, bad lords.
URSULA K. LE GUIN
The Left Hand of Darkness
It is not altogether a bad thing to have criminal ancestors. An arsonist grandfather may bequeath one a nose for smelling smoke.
URSULA K. LE GUIN
The Left Hand of Darkness
There are things that outweigh comfort, unless one is an old woman or a cat.
URSULA K. LE GUIN
The Left Hand of Darkness
Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
The historic function of a Senator from Oregon is to drive all the other Senators mad.
URSULA K. LE GUIN
The Lathe of Heaven
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Sleeping people are so remote.... Right here, but out of communication. That's what strikes humans as uncanny about sleep. Its utter privacy. The sleeper turns his back on everyone.
URSULA K. LE GUIN
The Lathe of Heaven
Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don't we consider it his duty to escape? The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
Darkness is only in the mortal eye, that thinks it sees, but sees not.
URSULA K. LE GUIN
The Left Hand of Darkness
To claim power over what you do not understand is not wise, nor is the end of it likely to be good.
URSULA K. LE GUIN
The Farthest Shore
Most civilisations, perhaps, look shinier in general terms and from several light-years away.
URSULA K. LE GUIN
The Telling
Genre fiction was looked at as a ghetto, but I wonder now if realist fiction, sealing itself off in the glum suburbs of a dysfunctional society, denying the use of imagination, was the ghetto.
URSULA K. LE GUIN
interview, Salon, November 17, 2014
A wrong that cannot be repaired must be transcended.
URSULA K. LE GUIN
Tehanu